;The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed called The Grid. ;Credit to Tron: Legacy’s writers including the ;Edward Kitsis and ;Adam Horowitz, it incorporates and builds the original idea which compliments the feeling of 1st nicely. ; Director Joseph Kosinski delivers a stylish looking film, heavy toned and rich in atmosphere. It fits the story and the films design, in addition, the neon look is not used as a gimmick. The music, effects and action scenes are well executed and stay with you after the film ends.
Archive for April, 2011
Film Gaming a Tron Legacy
Posted: April 25, 2011 in FILM REVIEWS/COMMENTSTags: Disney, Film, French connection, gene hackman 80's film, Jeff bridges, movie review, Olivia Wilde, Tron, Tron Legacy
Why Bygone Horror Matters
Posted: April 22, 2011 in FILM REVIEWS/COMMENTSTags: classic horror, Esmonde, Horror, Richard Gladman
Richard Gladman presents a classic horror double bill. The man and his team have gone to the trouble not just to show what great films, stories and plots are out there, but to demonstrate that these classic film should be shown, to excite and stimulate. Er, um, and this is why the BBC should show these classics again.
There’s a big difference between watching a classic horror film with an audience to viewing it on TV. The red curtains, a darkened auditorium and an excitment in the air. It’s great that people chose to go out and see a film. They haven’t ordered a VHS or DVD, even a blu-ray, it’s not just for an individual to enjoy. The individual choses the showing, to watch something as a collective and enjoy a cinematic experience.
Possibly though it’s unlikely a person would seek these classics out unless they already have an interest. What was good about horror being shown on terrestrial TV is that you may settle down to watch something accidentally. The BBC exposed viewers to these horrors, broadening horizons indirectly igniting the imagination.
Nostalgia aside a lot can be experienced and discovered with classic movies, not just horror. Although it’s surprising how much a seed of and idea can create a tree… Watching Night of the Demon (1957) arguably there are so many elements that are reminiscent of Arturo Peres-Reverte paperback ‘Club Dumas‘ which inspired, and was source material for Roman Polanski’s ‘The Ninth Gate’… My sibling was so surprised.
I’m partial to a great horror movie, especially because it’s the darker side of us, the unimaginable. The Classic Horror Campaigns aim is to bring classic horror back, to viewers new and old… So why not sign the petition?
Studio versus Independent Film the Choice of Horror
Posted: April 20, 2011 in Blood Hunger, Blood Hunger: Terminus, FILM REVIEWS/COMMENTS, UncategorizedTags: big screen, Blood Hunger, Bram Stoker, Film, film budget, film industry, film producing, gothic film, Hollywood, horor book, Horror, horror film, horror movie, independent film, investment, london 15 century, low budget, novel book, novel horror novel, screen play, screen writing, screenwriter, script writing, Studio versus Independent Film the Choice of Horror, Taxi Driver, thriller, True Blood, twilight, Vampire Dairies, vampires
Elizabeth Bathory – Far from old and Friel
Posted: April 9, 2011 in FILM REVIEWS/COMMENTSTags: actress, Anna Friel, bathory, elizabeth bathory, Erzsébet Báthory, Famke Janssen, Film, film review, film reviews, gothic, Horror, horror film, Juraj Jakubisko, movie, movie review, movies, sexy, vampire, vampires
Hunter Prey Low-Budget Dust Devil
Posted: April 5, 2011 in FILM REVIEWS/COMMENTSTags: director, film review, filmmaking, hunter prey, low budget, movie review, Sandy Collora, sci-fi
After a crash landing an escape human prisoner must avoid being recaptured by humanoid aliens or caught by a bounty hunter.
A low-budget sci-fi reminiscent of Enemy Mines (1985), Pitch Black (2000), Planet of the Apes (1968), Star Wars (1977) and Star Trek’s 1967 ‘Arena’ episode to name a few.
While it may not have the production design or sleekness of some of the aforementioned, Hunter Prey has some nice make-up design and subtle effects. Lead alien performer Poitier is note-worthy as Centauri 7 shows depth and bearded Simon Potter as Logan is entertaining enough as the prisoner on the run in a desert landscape.
The costume design is effective and fan-boy cool but is let down by the original sound design that doesn’t give them weight leaving them plastic and hollow rather than heavy pieces of armour, guns and helmets. Director writer Sandy Collora delivers a watchable sci-fi but it still has the feel of limited budget filmmaking rather than a low budget with a cinematic feel.
Despite an abrupt ending there’s a few story twists and double crossings that are mainly played out in dialogue rather than action and enough visuals to keep you entertained.
I Spit on your Grave 1978 video nasty to money-making disc 2010
Posted: April 1, 2011 in FILM REVIEWS/COMMENTSTags: Camille Keaton, Day, feminism, Film, film review, Horror, I Spit on Your Grave, Meir Zarchi, movie review, rape, Sarah Butler, Steven R. Monroe, Stuart Morse, video nasty
Meir Zarchi’s Day of the Woman, better known as I Spit on your Grave was a longtime banned VHS in the UK. Later passed by BBFC like Evil Dead (laugh) and The Last House on the Left to name a few ‘video nasties’.
It’s a basic tale also written by Meir Zarchi, a New Yorker Jennifer Hills (Camille Keaton) rents a lakeside cottage in the woods of Connecticut, however, later is she gang raped and thought dead. However, alive and recovered she takes her revenge against the rapists.
Those who say it’s a feminism film are off the mark. It’s nasty, needless and arguably gratuitous exploitation. The rape scenes are graphic and I feel unfairly more intense than the revenge scenes later. A product of its time and made to shock, it certainly does that. It’s not a film I would want to watch again or have in my collection. However, I’m sure there is a strange audience out there who would.
The film is well constructed and directed. The locations are for the most part picturesque and ooze the 70’s vibe of that time gone by, in contrast,the lack of a music score sinisterly adds to the realism of the barbaric violence. The cast are below average, however, the unknown lead Keaton gives an amazing performance, and it’s a shame she’s only known for this film. As a side-note I was surprised to find out that she is the granddaughter of actor Buster Keaton.
Only watch for curiosity, Keaton’s performance or possibly the revenge kills. That said, it’s not recommended.
The remake of Meir Zarchi’s Day of the Woman, better known as I Spit on your Grave follows a surge of ‘video nasties’ been re-done unnecessarily including the likes of The Last House on the Left.
Naturally it follows the basics of the original, city girl Jennifer (Sarah Butler) retreats to a secluded lodge to write her book, but she is gang raped and thought dead. However, alive and recovered she takes her revenge against the rapists.
Just like its predecessor it’s nasty, needless and border gratuitous exploitation and compared to what she endures the revenge kills even though elaborate and (Hostel/Saw-like) bloody never satisfy. Where as 1978’s version has a place in history being a gritty product of its time and was made to shock, this time round it just feels like a money-maker for controversy’s sake.
That said, director Steven R. Monroe’s film looks fantastic and is well executed. Stuart Morse’s screenplay at times improves the dialogue, some characterisations of the original and a few tweaks inject some freshness, especially the inclusion of the sheriff and his family. Neverless, its initial feel is reminiscent of Texas Chainsaw Massacre.
The supporting cast surpass the original actors and lead Sarah Butler on the trail of revenge arguably equals Keaton seductive first-rate performance but instead with a coolness edge.
Only watch for compatible curiosity if you must but it’s not recommended especially these days.
Film Funding, Foreign Rights, The Hobbit and Star Wars
Posted: April 27, 2011 in Blood Hunger, Blood Hunger: Terminus, Dead Pulse, FILM REVIEWS/COMMENTSTags: fan made, film funding, film industry, Foreign Rights, Horror, hunt for gollum, indie film, J.R.R. Tolkien, literary Agent, makazie one, publishing, science fiction, star wars, sub-agent, Terminus, The Hobbit, The Lord Of The Rings, UK film Industry
That’s fine don’t get me wrong art is art and other stories should be told, but as it is the public’s money,dramatic bold and different films can be made and can also appease a wider audience. It is a business after all. Again there are lots of angels and opinions on this and once again this up for debate, I’m speaking from my own experience. My hat goes off to ‘self financed’ indie-film makers who do there’s research and pre-pro and go out –  putting it crudely, in simplistic terms, just make it, and make a film well, like David Paul Baker and Oklahoma Ward to name a few.
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