Posts Tagged ‘thriller’

An old special ops soldier living out his last days in his quiet hometown with his dog, Ralph, is asked to take on one last mission.

You wouldn’t be able to tell this is director Robert D. Krzykowski’s feature debut, it feels and looks big, this is no VOD looking film. It’s a slowing burning character study for the most part with some great sets ups here and there namely the Hitler and Bigfoot confrontation Some of it is on the nose much of it is subtle and ingeniously ambiguous.

Sam Eliot is simply outstanding as Calvin Barr an aged war hero looking back over his life with regrets. Krzykowski offers convincing reminiscing flashbacks featuring Aidan Turner as a young Calvin Barr it covers his relationships with his brother, girlfriend and war exploits.

The last half is charged with more emotion as it resolves relationships but also builds to a crescendo showdown.

Wonderfully shot, it delivers on its outlandish title, but it is a surprisingly grounded film which Sam Elliott sells with ease offering a heavy weight and memorable performance.

As he walks the streets of Gotham City Arthur Fleck is isolated, bullied and disregarded by society causing him to descend into madness turning him into the anarchy iconic criminal known as the Joker.

Channeling the likes of Taxi Driver, American Psycho with a dash of The King of Comedy director Todd Phillips offers an outstanding Joker origin film, so much so and Oscar worthy it feels too good to be a mere DC superhero movie.

Joaquin Phoenix is mesmerisingly outstanding, making Fleck both sympathetic and menacing. The Wayne/Batman connections are weighty and dramatic enough not to induce eye-rolling. Cinematographer Lawrence Sher delivers the atmospheric grit of the late 70s into an early 1980s set Joker.

The psychological aspect is reminiscent of American Psycho with a play on what is real and what is not. Its intriguing throughout watching Fleck’s metamorphosis into something quite edgy and creepy during the briskly paced running time.

Phillips expertly injects violence that is hard hitting, that emulates the simmering and brutal kills of The Godfather, Goodfellas and the like with a tragic character and dark comedy at its core.

It’s a must see, if anything, it’s arguably too well made to be a comic book movie.

img_7757It’s here and exclusively yours. Join the mystery.

Sometimes the paranormal is in the mind and sometimes it’s real. Telling the difference isn’t always easy. It wasn’t for John Satori. After a brain scan he sees the unreal. He always thought that killing was just a job. Now he’s paying the price, when his past ghosts catch up with him.

An independent supernatural thriller mystery like no other.
Get your copy or perk – before THEY do! Click below:
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This will be my fifth novel, but first that YOU are going to make happen! This is a first for me, a paranormal paperback project that I hope you will love.

Fake and paid for reviews are ruining the industry- just two of the reasons I’m doing this.

Its title yet to be revealed – offered EXCLUSIVELY through IndieGoGo and will NOT BE AVAILABLE IN STORES.

Sign up #FREE for EXCLUSIVES more details and updates. Of course you’ll be first to know the name of the novel.

This will be the first work to be exclusively my own. You don’t need to have read my other works, it a stand alone. But like my other books it connects via sub characters and locations.

So if you are a fan, or just want a great read you need this book. So Sign up #FREE for EXCLUSIVES

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This pretty neat The Final Version novel page has been brought my attention. It has been going a few years and contains some good observations and facts about the book by readers. I’ve copied and excerpt below.

• It is difficult to pin point when WWIII occurs, however, whatever destructive device was used left buildings standing. This leaves the remaining survivors (who have converged on a few remaining city’s world wide) have whole buildings to live in to themselves. To benefit for this arrangement occupants seemingly have to adhere to the consistent surveillance/monitoring. It echoes Blade Runner and Aeon Flux in chapters, with hints of The Thing and Mad Max in others.
• Denton visits every continent.
• Given it is set post WIII the future appears quite habitable (excluding the wastelands and industrial areas). State Side while the rain beats down there are while plastic pavements/side walks and Neon lights have made a come back.
• It’s a ‘kitchen sink’ book as it has so much in it. However, it’s pulls off bringing the sci-fi elements, (not limited to) A.I, cloning, cryogenics and Robotics together with the historic chapters and the events that are touched on subtly which include the discovery of DNA, Lincoln’s Gettysburg Address, Anastasia’s disappearance, Spanish Conquistadors encounters, painter Michelangelo Merisi da Caravaggio’s fate to name a few.
• Religion is outlawed and practised by underground sects. Notbaly the MJ and King sect.

Source: FanDom http://the-final-version.wikia.com/wiki/The_Final_Version_Wiki

Order your copy here: Amazon

It Comes at Night Movie Poster

*** This review may contain spoilers ***

Two families are forced to share a home in an uneasy alliance to keep the outside evil at bay only to discover that the true horror comes from within.

Director Trey Edward Shults’ It Comes at Night is a taught effective horror drama, its strength lay in the audience using their imagination proving again that what’s left unseen can be just as horrifying as anything on the screen. Reminiscent in tone of Into the Forest (2015), The Thing (1982) (echoing its paranoia) it’s ambiguity, natural setting and Brian McOmber’s subtle score all add up to something quite engaging.

The cast are effective, the child actor is natural, also Kelvin Harrison Jr. playing Travis, a 17 year old suffering from gory nightmares feels believable but it’s edgy Joel Edgerton’s Paul and convincing Christopher Abbott’s Will that are the glue and shine here. Both roles have an intensity and both men ooze tension. Shults offers a well shot horror, drama that’s brilliantly paced, with an eerie atmosphere aided by Drew Daniels immaculate cinematography.

Shults never plays his cards and as a viewer you’re fed little bits of information, not really knowing the scale of what’s going on. With characters with welts, checking teeth, nails and burning bodies, the interesting thing is that you also don’t know if what they’re afraid of changes you into a monster or rabid zombie or something else. Refreshingly the viewer doesn’t see what they fear, and you shouldn’t need to either. There are a few shoot outs and stand offs but it works more on a psychological level, less is more here and with rife paranoia this offering excels. Recommended.

darkest-moons-promoWell I’m ecstatic. Darkest Moons is now available on paperback and Kindle! A gothic mansion, hidden secrets, crypts, beasts and mysteries. With a never seen before creature that spawned legends. What is real and what is not in a seemingly perfect community? Present day set ‘Darkest Moons’, incorporates flashbacks throughout a Welsh village’s history packed with elusive characters.

Darkest Moons is available as an e-book, readers who want the traditional paperback will get the e-book free. Order your copy from here or any good bookstore.

From the press release.

A 1878 a mining community came to terms with the existence of a terrifying horror.

Over 130 years later a troubled London police officer, Alex Caine, is transferred to the sleepy village of Red Meadows. Her country life and the investments to rejuvenate the valley are put in jeopardy when a World War II bomb is unearthed triggering a chain of disturbing events.

A series of grisly mutilations follow but what is causing this mayhem, a wild animal or a serial killer hell-bent on destruction? With limited resource, battling local politics and with help from an unlikely ally, legends from the Garloupmira to Sasquatch are probed. Caine’s well-being, sanity and beliefs are tested as she desperately strives to solve her case.

As the moon rises the curse begins!

darkest_moons_cover_for_kindle

Watch the Darkest Moons Teaser Trailer: https://youtu.be/5qYX7Sal0k4

Split Movie Poster*** This review contains spoilers ***

Three girls are kidnapped by a man and must try and escape before a frightful personality The Beast comes to get them.

With hints Red Dragon (2002) and echoes of Sybil (1976/2007) with a touch of 10 Cloverfield Lane (2016) director, writer M. Night Shyamalan offers an interesting thriller. James McAvoy delivers a performance of a life time as Kevin who has 23 distinct personalities and one additional one, that all play off against each other, even imitating each other at one point. After kidnapping three girls and keeping them locked up in a cellar, surprisingly it is the edgy visits to his therapist, Dr. Karen Fletcher, wonderfully played by Betty Buckley that provides the most tension as you never know when he is going to snap.

The slow undercurrent build up is Split’s strength as the girls attempt to escape and we get to know many of Kevin’s personas, Dennis / Patricia / Hedwig / The Beast / Kevin Wendell Crumb / Barry / Orwell / Jade. While McAvoy’s 9 year old doesn’t ring as true as the other characters he encompasses, the distinction between each is impressive. Especially the 24th personality which builds up like a High Noon (1952) showdown. Anya Taylor-Joy’s Casey Cooke has a developed character and poignant story arc but always feel second to McAvoy.

The worn on location feel works, a cellar, long corridors, city apartments and a zoo, Shyamalan’s realistic setting has become a staple of his work, which helps draw you into the story. Two of the kidnapped girls feel under developed but possibly Shyamalan purposely does this for the viewer to focus on the third and in bid for you to sympathise with her and Kevin.

With a Bruce Willis cameo, the post story twist of sorts will be lost on anyone who hasn’t seen one particular film of Shyamalan. And to be honest unless you love this particular film or have a great memory, it will probably annoy rather than entice. That said, all that comes before draws the viewer in. Right down to Dr. Fletcher assessment of what advantage split personalities can have and its application. Fletcher concludes that ‘they’ may something more.

Although a mash-up of other films, thanks to McAvoy and Buckley it stands out from most in the genre. Shyamalan’s atmosphere and attention to detail gives it some gravitas. Overall, worth watching for McAvoy’s performance(s) alone.

Bone Tomahawk Movie Poster*** This review contains spoilers ***
A posse embark on a rescue mission into the wilderness of the Wild West but bandits are the least of their problems when faced with the cannibalistic captors.
Director/Writer S. Craig Zahler crafts an enjoyable mature low key Western romp with graphics scenes (including dismemberment, disembowelment stabbings and gunfights) lettered throughout especially in the closing.
The cast on fine form as a sheriff (Kurt Russell), his deputy (Richard Jenkins), a gun slinger (Matthew Fox) go about rescuing a cowboy’s (Patrick Wilson) wife from – in a twist of sorts Neanderthal troglodytes. Russell is perfectly cast, with his look, straight talking gruff tones fitting a role he can do in his sleep, here though there’s something heroically poignant drenched in his character. Similarly, Brooder, Fox well dressed in white cowboy has a back-story which pulls no punches and is intriguing. Its character driven with some candid dialogue that cements your care for the characters, Jenkins particularly shines as the aged widowed deputy, Russell and especially Fox are memorable.
Zahler offers a novel twist on John Ford’s The Searchers. There’s a sense of scale and a lived in feel in his vision. The genuine attention to period detail reinforces the narrative. It’s dusty, picturesque (with cinematography from Benji Bakshi) but it also offers a over shadowing sense of impending doom and violence as the unlikely group of men go on a journey of survival and danger. The special effects are finely executed, wince inducing and leave an impact. Like producer/director Jack Heller 2011’s of Dark Was the Night the whole thing is low key and even with the characters having dynamite at the ready Zahler doubling duties as writer satisfyingly avoids the Hollywood explosive clichés.
Bone Tomahawk’s slow-burning story complements the gripping performances and as a smart horror Western its highly recommended.

Hello ghosts and ghouls. Finally (phew) and aptly this Halloween my new book entitled Darkest Moons is released on paperback and Kindle. If you would like a chance to win a free electronic copy share this post on Twitter or Facebook @amesmonde! Read on for more Darkest Moons’ details.

From the press release:

darkest_moons_cover_for_kindleDarkest Moons

In 1878 a mining community came to terms with the existence of a terrifying horror.

Over 130 years later a troubled London police officer, Alex Caine, is transferred to the sleepy village of Red Meadows. Her country life and the investments to rejuvenate the valley are put in jeopardy when a World War II bomb is unearthed triggering a chain of disturbing events.

A series of grisly mutilations follow but what is causing this mayhem, a wild animal or a serial killer hell-bent on destruction? With limited resource, battling local politics and with help from an unlikely ally, legends from the Garloupmira to Sasquatch are probed. Caine’s well-being, sanity and beliefs are tested as she desperately strives to solve her case.

As the moon rises the curse begins!

Darkest Moons

By A. M. Esmonde

An AM to PM Publishing Book

Publication Date October 31st 2016

Paperback ISBN 1508567700

e-book ASIN B01MDSP46K 

202 Pages

Ask in your favourite bookstore or order from Amazon

Link T.B.C

Watch the Darkest Moons Teaser Trailer: https://youtu.be/5qYX7Sal0k4

A. M. Esmonde, “A gothic mansion, hidden secrets, crypts, beasts and mysteries. With a never seen before creature that spawned legends. What is real and what is not in a seemingly perfect community? Present day set ‘Darkest Moons’, incorporates flashbacks throughout a Welsh village’s history packed with elusive characters. Darkest Moons will be available as an e-book, readers who want the traditional paperback will get the e-book free and can also enjoy the revelation connections to my all my other novels.”

As with any first edition, if there are any niggling little errors please let me know and we’ll get it correct for the second run. Thanks