Posts Tagged ‘literary Agent’

In time for my favorite time of year, early I know but we’ve already put the Halloween decorations up in my home! 

The rights to both vampire thriller Blood Hunger and zombie chiller Dead Pulse have reverted back to myself. After this Halloween the novels will become unavailable.

They possibly may be resurrected in second editions depending on publishers. While the first editions satisfy, in retrospect their not as polished from an editing standpoint as I would have wished but no use crying over spilt milk. Still they’re entertaining horror travel reads. Even the industry’s big players are feeling the pinch and its difficult for the most seasoned authors to earn a crust so I’m not holding my breath for the novels to be picked up.

All is not lost in a shallow grave my sci-fi novel The Final Version is being well received. Again thank you for reading, thank you for your support and have fantastic Halloween.


There’s no fancy pictures with this blog post, no eye-candy, no poll and no video. For promos head over to my site. Here are words, numbers and letters. Many have already closed down the window – those still reading I thank you…
 
The thing about being 5’4 is that you fall under the radar. For me it is a blessing, it’s what being an underground author is all about and as you get older you shrink. Ghost writing gigs aside I turned down two projects in 2011. One for ethical reasons, the other because I preferred the films to the TV series. No one can ever accuse me of selling out.
 
There seems to be less reading going on these days, with more people spending time on Facebook, sort of facebook-worms and on game consoles. Lot’s of authors think a book signing makes them a good writer, even famous but in reality most people there are just browsing and not specifically there to see them. Even at conventions, the readers are there to see the ‘famous’ head-liners, the book you signed will probably end up on eBay. You are usually there as ‘padding’.
 
 My editor makes me look good – I have no marketing company behind me and will remain an alternative writer. Does it matter, not to me, of course everyone wants to make it like Tony Montana, however, I never have to proclaimed to be a great writer, just an engaging, neat storyteller. I’d like to think those who buy my books retain them. And story telling is a dying art. Those strong narratives are progressively being replaced by watered-down, bloated, re-jigged, reworked, repackage, mis-sold, ‘safe’ stories. Saturated and bland with anything intriguing being few and far between. The same can be said for film.
 
There’s no doubt that there’s a snobbery and click within the film and writing industry, it’s not just confined to those fields. All my working life and to my own detriment I’ve never been willing to play the game. And yet both Blood Hunger and Dead Pulse (outselling Blood Hunger 5-1?!) continue to be modest successes and Terminus my art-house film has exceed expectations. POWER TO THE PEOPLE! And lately power to ebooks and kindle.
 
 
That said, I am not alone there are many like myself that call a spade a spade and strive to create, not to conform. Being professional doesn’t mean you have to sellout or give in. Although these days does it matter, I’ll never be down with the kids most can’t watch a film over 89 minutes or read anything longer than a 140 character tweet. Should I cater for them or the growing and diverse following I have? You have to ask why do you do it? If your doing it for fame, money it’s unlikely you’ll make it unless you have a bagful of cash to hand over to a PR company and 15 -25% to an agent. It’s all a bottle neck smoke screen. Many of the best artists are sadly not filthy rich, so don’t get the credit they deserve, you have to search them out they are there. They could be you. Get you site, get your product, it’s true build it and they will come. Despite my latest works being part if a saturated genre, they were conceived a long time ago and are definitive and exciting horror homages.
 
 
2012 will see the release of the last of my sub-horror genre books Darkest Moons (limited Edition) which will be followed by a film adaptation.
 
 
Thanks again for all your support, you don’t have to read my books or films but keep spreading the word to keep an ageing man happy. If you are a writer or filmmaker or anyone with a dream – believe in yourself and just keep plugging. (Unless you really do suck)
 
 
 
Have a great 2012!
 
My best
 
A.

Starting at the bottom has never been easy, but now it’s never been so competitive. I’ve covered the ‘who you know’ angle previously.
Starting my own company to support untapped talents has given me rewards, but none- financially. That said, I’ve met and worked with some cracking people and some in the most unlikely of industries. Some of which have gone onto do much bigger things. I know my limits and some of my promotion stuff is beyond what I could ever have produced.
I received a survey from an individual for a project as part their degree. It was about the UK film Industry pre and post 2008. It’s not through trying but I must admit I’ve never been supported by any UK bodies (and it’s a sad for the UK) but all my film has been US funded. Surprisingly, even viable commercial ideas are passed on in favour for ‘quirky’ films that have ‘named’ talent attached even though they have little return or success.
That’s fine don’t get me wrong art is art and other stories should be told, but as it is the public’s money,dramatic bold and different films can be made and can also appease a wider audience. It is a business after all. Again there are lots of angels and opinions on this and once again this up for debate, I’m speaking from my own experience. My hat goes off to ‘self financed’ indie-film makers who do there’s research and pre-pro and go out –  putting it crudely, in simplistic terms, just make it, and make a film well, like David Paul Baker and Oklahoma Ward to name a few.

Terminus

Presently, I’m looking to sell some of my foreign rights but it’s a back rubbing exercise that I’m just not willing to play.  People talk about being transparent but there’s almost no such thing.  So I’ll wait until the right sub-agent or literary Agent  one comes along. I’m not looking for Michael Landon’s Jonathan Smith to turn up and say hey we’ll do your horror travel reads in thirty-three other languages, I just don’t want another unscrupulous suit to make me an offer.
So when we talk about retaining rights and so on what do we mean?  I’ve said many times I’m happy for my work to be played with by the right creative people. Sean P. Parsons Terminus was wonderful and I’m proud to have been a part of it.

Star Wars: The Complete Saga (Episodes I-VI) [Blu-ray]The Hobbit: 70th Anniversary Edition

So what ‘s that got to do with the The Hobbit and Star Wars? Well if you are are fan of either you’ll probably know there’s a lot of fan made stuff out there, some good, some bad, some legal and some not. (Never support anything illegal, it costs people jobs, seriously). Those who are fans of the aforementioned and have missed these are in for a treat.These are fan made films in the truest sense and are not for profit or to infringe on the rights of the official films… Enjoy.
Makazie One is set in the Star Wars universe during the time period between Episodes III and IV, an elite soldier has been sent to track down and destroy a known threat to the Empire. http://www.makazieone.com
Award winning unofficial prequel to The Lord Of The Rings dramatising Aragorn &Gandalf’s long search for Gollum. This 40 minute film, made by fans for fans is based on the appendices of LOTR and was painstakingly shot on a low budget as a homage to Peter Jackson’s trilogy and the writing of J.R.R. Tolkien.