Posts Tagged ‘Werewolf’

This year is a really big year. I’ve had novels out for 10 years. So for the next few days (April 2nd-) Darkest Moons will be FREE! https://www.amazon.co.uk/Darkest-Moons-M-Esmonde/dp/1508567700

If you’ve not been ‘following’ I have so many writing inspirations but I was mainly inspired to write due to legendary horror author James Herbert and his kind correspondences I had over a screenplay that languished at the time in development hell. As well meeting Mr Herbert, I was lucky enough to meet my other horror hero – filmmaker and writer, horror legend George A. Romero.

Specifically, I wanted to write horror, yes, sub-genre horror, but with a twist, my take on at the time a worn genre of classic monsters.

Fast forward 10 years, zombies went mainstream, Frankenstein, Dracula and the kitchen sink have had remakes/reboots/ reimagining and so on. Sadly, Herbert and Romero have both passed away leaving their horror legacies forever on the world.

I have many people to thank. Some of which are no longer with us.
But to the many readers who provided constructive feedback on the books to help me understand what they wanted and how I could give it to them. Thank you.

Anyhow enough waffling!
What a journey it’s been! I am grateful.

So from tomorrow to celebrate Darkest Moons (I think one of my best) will be totally free on Kindle. Not just Kindle Unlimited but to everyone.

My Readers and following friends,

It’s been a hard year with personal loss and sadness, so I’ve been off the social media merry-go-round. Whatever you are going through, you will get through it. Keep the dream alive, have trust. Merry Christmas to you and your loved ones!

The Christmas season is upon us and we’ve got a few signed editions of Darkest Moons (contact via the website), also if you order any paperbacks you get the Kindle Free, for those who want to start reading immediately and have a keepsake paperback winging its way to you.

Darkest Moons

Darkest Moons

In 1878 a mining community came to terms with the existence of a terrifying horror.

As the moon rises the curse begins!

The Final Version

The Final VersionJourney through the history of genetics and be catapulted to a post-apocalyptic future, a conflicted dystopian utopia of cyberpunk, cryogenics and government-conspiracy.

Blood Hunger

Blood Hunger

From the fall of the vampire and the Dracul brothers in medieval Europe to their return in the present day. Prepare yourself, their first bite will be your last!

Dead Pulse

Dead PulseDeath does not discriminate…

The dead have returned to life… The world’s focus is on the city of Ravenswood and the once idyllic town of Farmore as platoons and scattered survivors fight the hordes of the dead, unbeknownst one of them holds the key to end the undead’s reign of mayhem.

Hello ghosts and ghouls. Finally (phew) and aptly this Halloween my new book entitled Darkest Moons is released on paperback and Kindle. If you would like a chance to win a free electronic copy share this post on Twitter or Facebook @amesmonde! Read on for more Darkest Moons’ details.

From the press release:

darkest_moons_cover_for_kindleDarkest Moons

In 1878 a mining community came to terms with the existence of a terrifying horror.

Over 130 years later a troubled London police officer, Alex Caine, is transferred to the sleepy village of Red Meadows. Her country life and the investments to rejuvenate the valley are put in jeopardy when a World War II bomb is unearthed triggering a chain of disturbing events.

A series of grisly mutilations follow but what is causing this mayhem, a wild animal or a serial killer hell-bent on destruction? With limited resource, battling local politics and with help from an unlikely ally, legends from the Garloupmira to Sasquatch are probed. Caine’s well-being, sanity and beliefs are tested as she desperately strives to solve her case.

As the moon rises the curse begins!

Darkest Moons

By A. M. Esmonde

An AM to PM Publishing Book

Publication Date October 31st 2016

Paperback ISBN 1508567700

e-book ASIN B01MDSP46K 

202 Pages

Ask in your favourite bookstore or order from Amazon

Link T.B.C

Watch the Darkest Moons Teaser Trailer: https://youtu.be/5qYX7Sal0k4

A. M. Esmonde, “A gothic mansion, hidden secrets, crypts, beasts and mysteries. With a never seen before creature that spawned legends. What is real and what is not in a seemingly perfect community? Present day set ‘Darkest Moons’, incorporates flashbacks throughout a Welsh village’s history packed with elusive characters. Darkest Moons will be available as an e-book, readers who want the traditional paperback will get the e-book free and can also enjoy the revelation connections to my all my other novels.”

As with any first edition, if there are any niggling little errors please let me know and we’ll get it correct for the second run. Thanks

  After a group of teenagers unlock a centuries-old curse on Halloween a town becomes overrun by the demons of hell from zombies to witches.

Made in 1985 when TV movies still looked filmatic, TV specials were still special and had good production values, The Midnight Hour certainly to an outside America viewer is an obscure ABC Halloween treat. Directed by Jack Bender there’s some great make up monster effects and it’s far from a mediocre made-for-TV horror comedy. With homages to The Wolfman, Dracula and the more recent Night of the Living Dead and Thriller there’s plenty of cobwebs, graves and gate crashed suburban Halloween parties to hold attention.

As with the risen from the dead 50s cheerleader Sandy (Jonna Lee) highlighting the differences of 1985, that’s The Midnight Hour biggest hook as now plays a great piece of 80s nostalgia. There’s also a subplot love story town in amongst the TV horror shenanigans. With almost every horror track from Blue Moon to The Smith’s How Soon is Now there’s also (The Terminator) Brad Fiedel’s ambitious fitting score.

The cast are above average and include the stunning Shari Lynn Belafonte, LeVar Burton, Jonna Lee, Dedee Pfeiffer as Mary Masterson, Kurtwood Smith cameos and Macaulay Culkin makes a brief debut.

Not too scary for junior children, werewolf, vampires, zombies, ghouls, and goblins add up to on screen creepy campy fun, you can’t go wrong.

  A down on his luck train ticket inspector gets more than he bargained for when his train breaks down and creatures that lurk in the surrounding forest lay siege to diverse group of passengers.

Director Paul Hyett keeps the suspense moving at consistent British rail pace. Echoing Severance, an unlikely band of people have to come together to survive, Hyett handles the blood and gore particularly well with excitedly executed guts and intermittent beasties set ups. The practical special effects are fantastic and out shine the visual CGI shots. The creature design is a mix of Dog Soldiers and mid transformation of the Howling’s werewolves and comes off quite creepy when remaining hidden in the dim light. The station and forest setting give the film some weight and Paul E. Francis’ music adds impact to the train attack segments.

Writers Mark Huckerby and Nick Ostler offer an appealing idea with the stranded train passengers trapped in the middle of no where surrounded by werewolf-like creatures. A minor quibble is that at times Howl is a little choppy and uneven and the character are arguably not as polished as they could be. Lead actor Ed Speleers (channeling Max Beesley) is effective enough as he tries to step up to the mark and control the desperate situation as the characters are picked off one by one.

There’s a welcomed extended cameo from Sean Pertwee as the train driver Tony. Sam Gittins (a dead ringer of Taron Egerton) is notable as any everyday student who tries to fix the train. The Descents Shauna Macdonald also appears as Kate and Elliot Cowan (Alexander) puts in a good performance as unscrupulous Adrian.

Against public expectation and want, refreshingly it omits the quips of Dog soldiers, WolfCop and American Werewolf in London to name a few. And while it isn’t quiet as tense or serious to match the Howling, Late Phases or The Descent somber tone it has feet of its own thanks it’s original atmospheric train setting, creature design and gore. The creepy old lady makeup stands out as particularly memorable and eerie.

With a modest budget in a sea of werewolf TV shows, DTV and sub-par sub genre films this stands out as one of the better additions.

*** This review may contain hairy claws spoilers ***


I’m not a critic, just a film fan. You know what, I’ve been sharing my thoughts of films for a longtime, then two come along at once where I get taken on a nostalgia trip, the first was Bloodbath Bombshell and now director writer Lowell Dean’s WolfCop. It took me back to the golden age of VHS horror, a time when practical effects ruled and every now again you had to clean the heads on your Video Player. The days when the story no matter how wacky was taken with a pinch of salt, was engaging and the production values felt high. WolfCop no doubt if released in the days of top loaders would chew your tape up.

Leo Fafard as Lou/WolfCop is superb as the washed up alcoholic small town cop, who after an strange encounter begins to investigate his own crimes and take down the local hoods. Put in a blender American Werewolf, The Howling with a touch of Teen Wolf on the local town backdrop of Rambo, add a beer, two shots of whiskey and your close to WolfCop’s ambiance. 

Packed with blood, guts, hair and humour, Jonathan Cherry is memorable as Lou’s knowing friend Willie, there’s a notable montage where they ‘pimp’ outfit a police car. An odd scene where the jail cell werewolf is given beer and doughnuts and there’s werewolf action scattered throughout. It’s well made, Dean offers lots of interesting set ups, Toby Bond’s music is fitting and the on location shoot gives the film some weight. This is not Direct to Video – DTV or whatever the kids call it these days, possibly direct to digital download DDD? Its a well executed film.

It has that 80s seediness and cheese in places and throws in a few scares, bloody limbs, fights with plenty of comedy. But the icing on the cake is WolfCop’s practical effects and old school visuals which are outstanding.Thankfully to Dean and crews credit there’s not a sniff of CGI. 

Worth checking out at a full moon but be careful it may change you.
Founded in 1934, Hammer Film Productions is best known for a series of Gothic “Hammer Horror” films made from the mid-1950s until the 1970s – notably a series of Dracula films that started in 1959 featuring Christopher Lee.
Although one of my favorites Hammer films is Countess Dracula (1971) many of earlier Hammer films were quiet formulaic and as well as Dracula included other iconic horror characters, The Mummy (1959) The Curse of the Werewolf (1961), The Curse of Frankenstein (1957). That said Hammer produced a variety of other sub-genre films and in later years TV series. During its most successful years Hammer dominated the horror film market, enjoying worldwide distribution and financial success.
But all good things come to an end… Due to the saturation of the horror market by competitors and the loss of some international funding it forced changes to the Hammer-formula, with varying degrees of success. The company eventually ceased production in the mid-1980s and in 2000 the studio was bought by a consortium with the company announcing plans to begin making films again, however none were produced.
In May 2007, the company was sold again and new owners announced plans to spend money on new horror films and did with a bang. Their hit success Let me In (2010) was a remake of Let the Right One In and due to the source material and the movie template already set Let me In arguably couldn’t fail.
Regardless of Hammers ups and downs their films contain a unique charm and atmosphere with iconic imagery that you can’t help retain. Here are few thoughts on Hammer’s The Resident (2010) and Wake Wood (2011 film). No doubt I’ll update this with The Woman in Black (2011) their most recent production soon.

The Resident (2010)

Dr. Juliet Devereau rents an apartment in New York, large and affordable, but the owner Max begins to want more than just rent.

Director Antti Jokinen doesn’t glamorise New York showing the older side of the city and keeps things moving with plenty of cuts and naturalistic lighting. The music adds some tension to the on screen proceedings to what is essentially a stalker/ voyeur thriller.
The cast includes a seasoned and accomplished cast including Hilary Swank, Christopher Lee as the creepy building owner August and his son Max played excellently by Watchmen’s (2009) Jeffrey Dean Morgan. Morgan is first rate as the deranged obsessive weirdo and the casting of Swank as Devereau avoids the teen slasher cliché. Amougnst the spy-holes, secret doors and cavity walkways of the apartment it’s great to see Lee in a contemporary role albeit small.
Anyone familiar with Single White Female (1992) or Pacific Heights (1990) will have an inkling what their in for. The Resident is a small tight thriller that has few surprises, yet, it’s keeps you watching due to Swank’s allure, the simplistic premise and Morgan’s craziness.
Overall, nothing new, but maybe disturbing for many due to themes of intrusion and privacy being violated.
As a fan of Hammer horror, with a few of their many films being a spiritual inspiration for my book Blood Hunger, Hammer sent me a brand new copy and I thought it rude not to say a few words on the iconic studios latest offering Wake Wood...

Blood Hunger

Following the unnecessary, yet excellent remake Let me in Hammer returns with Wake Wood a supernatural chiller in which a child is brought back from the dead to comfort her parents for three days. But she’s not quite the angelic child she was.

Eva Birthistle plays the grieving mother Louise and Twelve Rounds (2009) bad guy Adian Gillen is exceptional as the deceased child’s father. Reliable Timothy Spall and the child actress are notable and the supporting cast are solid.
There’s some effective bloody gore, grizzly births, severed spines, dog attacks and killings. Some supernatural elements take place out of shot to avoid the use of CGI, which adds to the believability and saves the budget.
Wake Wood is dark, damp and dreary just as it should be. Nevertheless, it is slightly stifled by a filmed for TV look. That aside, with a small budget director David Keating keeps the blood flowing and the pace going. It benefits in plausibility and atmosphere with an on location shoot. There’s plenty of shadows, eerie music, sharp editing and a grounded screen-play (by Brendan McCarthy) to keep you watching with a grin that Hammer may have a place in this century.

Wake Wood [Blu-ray]

With elements of Don’t Look Now, Case 39, Carrie, The Wicker Man and Pet Cemetery to name a few you could argue it’s all be done before and better. However, Wake Wood’s great ending debatably leaves you thinking sometimes less is more.

It’s the calm before the storm…
There are so many Breathing Dead horror things brewing in the dark.
While it appears The Breathing Dead has gone silent we know that that there are two graphic novels, a film, (by Innerface Films) Web cast show (presented by Holli Dillon) and of course three horror novels in the Vampire, Zombie & Werewolf genre (which will be published by Coscom Entertainment) coming up.

It’s an exciting time and we’re just waiting on release dates. In the mean time we’ve put together the Author, A.M. Esmonde’s, favourite promo posters for the up and coming horror show & novels including the unnamed Werewolf tale.