After humanity wins a war against zombies, tourists are able to kill zombies for sport at the Rezort.
Director Steve Barker who debuted with Outpost (2008) offers a zombie flick which echoes
Westworld (1973)and Jurassic Park (1993) premise. While Rezort isn’t as tight as Outpost, quite choppy in fact the zombie resort idea is a winning formula. Despite some dubious casting and dialogue this modest budget horror has plenty of great zombie action. Its Island setting gives it an throw back feel to Fulci’s Zombie (1979) and Fear the Walking Dead (in which Dougray Scott also appeared) rather than Romero’s ‘of the Dead’ films and/or The Walking Dead series.
To writers Paul Gerstenberger’s credit there is an interesting novel aspect as guest Melanie, played glowingly by Jessica Elise De Gouw who wants to conquer her psychological issues caused by the zombie war. This take is clearly what brought Barker and Scott’s talent to the table. That said, it feel rushed in places especially when the park’s security begins to unravel. The on location shoot works in its favour and Gerstenberger comes up trumps with a social commentary of sorts around refugees and class reminiscent of The Dead (2010), The Dead 2 (2013) and WWZ (2013) to name a few.
As forgettable sub characters get picked off one by one Martin McCann is notable as Lewis, but Dougray Scott effortlessly steals any sort of screen presence from the rest of cast excluding De Gouw of course who plays the trouble everyday girl in a horrific situation well. There’s no lack of effort in the makeup department either, the effects are finely executed from the most part, rapid head shots, zombie bites, all the zombie staples are there. But technically there’s some short comings in the editing and staging notable when the group try to pass through a fence damaged by a jeep it loses its lustre and logic.
With Resident Evil (2002) Hive like rooms and an impending countdown to doom. Its far from a DTV or SYFY film. The issue with Rezort is not that its derivative, it’s just not slick enough or able to focus on a potential bleak tone or its unique and interesting aspects making it feel more like the entertaining Cockney Versus Zombies (2012) without the comedy rather than the Day of the Dead it should be.
Still the Michael Crichton themes with robots and dinosaur replaced for zombies makes Rezort worth watching just for the living dead hell of it.