Posts Tagged ‘supernatural’

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Sometimes the paranormal is in the mind and sometimes it’s real. Telling the difference isn’t always easy. It wasn’t for John Satori. After a brain scan he sees the unreal. He always thought that killing was just a job. Now he’s paying the price, when his past ghosts catch up with him.

An independent supernatural thriller mystery like no other.
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This will be my fifth novel, but first that YOU are going to make happen! This is a first for me, a paranormal paperback project that I hope you will love.

Fake and paid for reviews are ruining the industry- just two of the reasons I’m doing this.

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This will be the first work to be exclusively my own. You don’t need to have read my other works, it a stand alone. But like my other books it connects via sub characters and locations.

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*** This review contains major ECTO-1 cameo spoilers! ***

A group of varied personalities form a paranormal company in order to catch ghosts and save New York City.

Based on Ivan Reitman’s “Ghost Busters” written by Dan Aykroyd and Harold Ramis without drawing any comparisons to the 1984 classic, Ghostbusters 2016 is 116m 28s of stylish sleek fun. Ghostbusters writers Katie Dippold and Paul Feig interestingly bring the team together with clean cut modern cinematic swagger. Feig, director of 2015’s Spy, turns his hand effortlessly to an effects driven comedy friendship rework.

With a Disney Haunted Mansion-like opening with a genuine jump scare, to animated mannequins and joy riding ghosts (including Slimer), there’s plenty of ectoplasm on display (that appears to follow) the excellent cast, especially Kristen Wiig’s Gilbert. Haunted by a paranormal encounter as a child, Gilbert who’s co-written ghost book loses her job when a ghost encounter video goes viral. Wiig along with kooky hot engineer Holtzmann played by Kate McKinnon light up the screen (no pun intended) and  soup loving Melissa McCarthy’s Abby Yates and Leslie Jones’ subway worker Tolan provide the comedy backbone.

While the scripted comedy doesn’t go for subtle wit, with some physical gags its mostly more on the nose comedy, infused with pop culture references, including Ghost and The Exorcist to name a few, it genuinely has its laugh out loud moments, Feig even throws in a fart joke for good measure. There’s lots of chuckles to be had, many come from Gilbert’s and Yates former, later rekindled friendship. Feig offers excellent set-ups and set pieces as proton packed armed they go about busting spooks in a rock concert (where Ozzy Osbourne cameos), the city street and subway at one point using some new toys. There are many memorable moments, a scene where they run some tests like Peter Parker trying out his web, along with a moment where Holtzmann goes all Clint Eastwood western to name a few. McCarthy and Jones’ comedy timing is impeccable, with smart Wiig and wacky genius McKinnon bouncing off wonderfully  – firmly stamping their mark. But overtly focal Chris Hemsworth sends his persona up somewhat as dim witted eye candy Kevin and steals many of the best moments.

As the team discover there’s a disturbed bell boy Rowan North (Neil Casey) amplifying paranormal activity in New York, during a carnival of phantoms we get to see the Marshmallow Man in balloon form and a pilgrim ghost take on the team. If anything the excellent CGI spirits on occasion are more spectral beings rather than the departed traditional dead, there’s a giant Gremlin-like flying creature and holographic like ghouls trapped in mirrors. Ghostbusters moves along at breakneck speed, and while the main bad guy may lack weight and grit thankfully this is counteracted by the genuine likable and watchable main cast.

While the CGI may lack that Indiana Jones/Poltergeist 80’s optical feel. The colourful ghost effects on display – reminiscent of The Frighteners, Beetle Juice and akin to the original second outing, along with the Ghostbuster (universe) cartoons, comics etc. have a charm of their own. At one time their Ghostbuster logo literally appears animated when Rowan mocks the team prior to him trying to destroy the city in a vortex, which lucky for the insurance company leaves little, if any mess. There are some fridge logic moments – why build a containment unit if you can just zapping the spooks into slimey gloop, unless it’s to study, either way I’m sure Ghostbuster aficionados will be able to explain.

There’s an array of welcomed cameos for series fans from the likes of Ernie Hudson, as the undertaker Bill and uncle of Tolan, to Bill Murray, in a surprising extended cameo as Martin Heiss, who accuses the Ghostbusters of being fraudsters. Dan Aykroyd, has an excellent brief appearance as the all knowing cab driver. Even Annie Potts appears as a hotel desk clerk, snapping the crowning, “What do you want?” Andy Garcia shows up as the Teflon Mayor and humorously loses it when he is compared to the Mayor in Jaws. While Charles Dance’s small role is fittingly cast as Gilbert’s uptight University Dean.

Feig offers along with the familiar theme tune supernatural hijinks and enough jump scare frights to give the youngsters the heebie jeebies. Dedicated to Harold Ramis, stick around for some end credit antics plus a post credit scene where Sigourney Weaver briefly appears as Holtzmann’s mentor Rebecca Gorin and the team discovers the name Zuul for the fist time, setting it up for a sequel.

Overall, with the controversial backlash and odd marketing now in the grave, as with any kind of rework comparisons will be made, taking my nostalgia glasses off, as a film in its own right, it’s spectre-tacular fun and comes recommend.

Described fitting by film maker Chris Regan as “[an] existential vampire epic successfully crosses violent supernatural hijinks with an art-house aesthetic to produce a new take on a worn-out genre,” My production TERMINUS will have it’s UK premier at the Movie Bar Brighton on October 3rd at 7:30pm.

Based loosely on my novel Blood Hunger and featuring a few of its most alluring characters, writer/director Sean P. Parsons brings this vampire tale to life with some great visuals and moody atmosphere. Having already been shown in the USA and available State-side as a video on demand this is the first time Terminus will be shown in the UK.

 

Ellicott City a condemned paper mill, home to a vampire by the name of Anushka – a  vampire assassin haunted by lonliness and self-imposed isolation. 
Her vow to never feed on humans is tried when a chance meeting tests her resolve…
Her first bite could be your last!
The first Trailer of Terminus!
Philip FletcherHauer

Katherine DuBois

 Anushka
Stacey Jackson

Marquise
Sarah Taurchini Caelum
Ben Cunis
Jacob
Ryan Sellers
Target 2
Theo “Rick Vick” Johnson


Target 1


and Bruce Allen Dawson as the Bodyguard


 Photograph Copyright resets with their respective creators.
It’s that time of year, my favourite time, Halloween. As a child a few of the influences that hooked me to write this genre were ‘horror nasty’ video sleeves and the elaborate cover-art of horror novels. I’ve put together a selection of thoughts of some great horror movies (and there are countless others), perfect for that cold Autumn night, including Halloween and The Shining which in my opinion are horror must see.
Case 39 (2009)
Going against typecast Renée Zellweger plays a social worker who takes in an allegedly abused child, Lilith after her parents try to kill her. However, the little girl may not be all she seems, reminiscent of the Orphan (2009) and borrowing heavily from the Omen and it’s remake, Case 39 is an enjoyable horror yarn.
Aside from a realistic Hornet scene and CGI face changes, thankfully Case 39’s director Christian Alvart avoids using noticeable dodgy visual effects. For the first 40 minutes or so it’s a strong creepy drama which then turns into a psychological horror in the latter half.
There’s nothing new in Ray Wright story, however, what keeps you watching is child actor Jodelle Ferland and Zellweger, who both give great performances. Both Ian McShane and Adrian Lester turn up with American accents and are great at grounding the bizarre occurrences. Also Bradley Cooper of A-Team fame plays a small notable role as a child psychologist and love interest.
While it’s not the most original horror drama it is effective with some genuine well executed creepy moments. Great late night viewing.
Rec (2007)
A Spanish female TV reporter, Ángela Vidal (Manuela Velasco) and her cameraman Manu (Ferran Terraza) cover the night-shift at the local fire-station but thing goes awry when they go on a call to a building that becomes quarantined.
Taking style of The Blair Witch Project (1999) to a more fitting effective and aesthetics level and inspiring big budgeter Cloverfield (2008), Rec is creatively directed/written by Jaume Balagueró and Luis Berdejo.
The film is seen purely from the point of view of the cameras and at times the shock factor is high. The film is packed with excellent practical effects, great sound and first rate makeup. This with the on location setting and lighting create and eerie atmosphere.

The acting is superb (and the unnecessary remake Quarantine (2008) is pale in comparison) as Manuela leads a cast of authentic looking firemen into a building as the infection spreads making it’s victims zombie-like. The supporting cast of occupants are equally as good, the acting is superb especially in the smaller quieter segments as they are interviewed by Ángela’s character and when they find out they are trapped in the building.

The action, suspense and fear builds up to a crescendo as the truth of the outbreak is revealed. With some jump scares and a surprise ending it’s a perfect horror ride.
Rec 2 (2009
Continuing right where Rec (2007) left off, a SWAT team outfitted with video cameras are sent into a virus infected quarantined apartment to assist in retrieving some blood samples.
The same writer/directors Jaume Balagueró and Paco Plaza are back on board with an extra writer Manu Díez in the sequel to the excellent Spanish horror flick. It’s more of the same, dark corridors, frantic Point of View camera work, blood gore and mayhem.
Rec 2 wastes no time of getting back into the building where the out-break started. It is an entertaining horror piece as the SWAT team are picked off one by one, but it lacks the character development of the first and feels more of a ride than gripping. That said, the acting is first rate, Jonathan Mellor’s Dr. Owen is notable and Manuela Velasco returns.
There’s some clever story telling that inter-loops the goings on and also links it to the first Rec. However, there is less focus on the virus/zombie and the screen-play centres on a more biblical and parasite theme which takes the story in new directions. Still, it’s just as fresh and a chilling as Rec and Rec 2 comes full circle in the closing shots.
Overall a great entry that has inevitably spawned a third and a Quarantine2.
28 Days Later… (2002)
Danny Boyle’s 28 Day Later is the best mindless human being film since Romero’s zombie movies. It’s an exceptional horror film that follows a handful of survivors after an incurable virus spreads throughout the UK.
From the opening frantic scene that is quickly followed by the quiet empty deserted streets of London, you know your watching something different and fresh. Without detriment to the story there’s lots of gore and bloodshed. However, there’s also a lot of psychological terror happening and subtle character touches that make you feel for these people.
Outstanding writing by Alex Garland and a pulsating chilling score John Murphy adds to 28’s perfect tension, atmosphere and tone. The casting by Gail Stevens is faultless, it includes Cillian Murphy, Brendan Gleeson and Christopher Eccleston in their best roles to-date. This is director Danny Boyle’s unnerving masterpiece.
A perfect gritty horror, with a realistic scary premise. A must see.
Halloween (1978)
John Carpenters 1978 textbook horror slasher film.
What make this different to many other babysitter stalker films is the production value, Carpenters direction and score that reeks of dread. Perfect leads include, heavy weight Donald Pleasence and ever reliable Jamie Lee Curtis as they try to out wit an escaped psychotic murderer.
Halloween is a well produced basic, yet essential horror that contains very little nudity or blood for this type of genre. What maybe a little tame for gore hungry audiences of today, it still remains defining archetype horror film, as without the masked Michael Myers there wouldn’t be many of the horror’s there are on your shelf right now.
A must see for any horror fan.
The Shining (1980)
A caretaker is isolated with his family in a hotel for the winter season, however they are not alone and the past guests and staff spirits still live on putting the caretaker, his wife and son in grave danger.
What can I say about Stanley Kubrick’s ‘The Shining’ that hasn’t already been said? I watched the uncut 146 minute version which only reinforced the fact that it is one of the best, if not the greatest tension driven, psychological horror films that has been made.
Thankfully Kubrick doesn’t follow Kings ‘The Shining’ novel to the letter, or we have the hedged animals coming to life and an explosive ending, while grand it would have lost the reality and realism that Kubrick creates.
Jack Nicholson’s antics, Shelley Duvall’s fear, Danny Lloyd’s performance (one of the few child leads that isn’t annoying) is first-rate as Danny. Veteran and voice of Hong Kong Phooey, Scatman Crothers is superb and the array of actors small but memorable parts including, Bladerunners Joe Turkel as Lloyd the Bartender and Barry Nelson as Manger, Stuart Ullman.
It’s not the novel, Kubrick’s the Shining one of the most impressive horror films ever made and on so many levels.