Posts Tagged ‘Skyline’

I watched alien comedy Paul (2011) recently which got me thinking about E.T (1982), where my dad would make me wear his Parker, hold a torch and say “phone home” – those warm a fuzzy days eh. It got me thinking about alien films in general. There’s been some turkeys recently The Fourth Kind, The Day the Earth Stood Still (2008) to name just two. I’m a sucker for alien invasion films, call me a geek (but it’s hardly surprising coming from the guy who still recall the lyrics to the 60’s Iron-Man and Captain America cartoon theme tunes,the re-runs). I must say I wasn’t a fan of Independence Day (1996) or Men In Black (1997) maybe it’s that watered down/appease the masses/play it safe middle of the road stuff that entertains but doesn’t excite or entice. Whereas Tim Burton’s Mars Attacks (1996) was all out dark comedy and Invasion of the Body Snatchers tackles the subject ominously sober for me it’s those films that are just more appealing.
Check out the Cellulord’s blog where he wonderfully breaks those Invaders down into five sub-genres.
Here’ a few thoughts on those mass invasion stories that you may have missed or simply avoided from various reasons.
Battle: Los AngelesBattle: Los Angeles (2011)
A platoon of U.S. Marines during a global alien invasion try to stay alive and take hold of Los Angeles while extracting a group of innocent civilians.
Battle: Los Angeles shares of much of the look and relentless extraterrestrial attack of Skyline (2010). However, where Skyline portrayed it from civilian point to view this is very much a story from the perspective of the Armed Forces.
Chris Bertolini’s screen-play pushes heroism and all its clichés to the limit, at times the film plays as a training or recruitment U.S. Marines video with each character needing to plug the name of every type of weapon used. Although there is a consistent overuse of a shaky handy-cam effect a credit should to go to director Jonathan Liebesman as the set ups are well covered with a feeling of geography so you never feel lost in the quick pans or sharp movements. It’s a serious stab at the subject matter and the effects are outstanding, mirroring the realism of Monsters (2010) and District 9 (2009) to name a few.
Both Ramón Rodríguez and Michelle Rodriguez are notable but it is Aaron Eckhart as a veteran SSgt. Michael Nantz who carries the most credence.
Reminiscent of Cloverfield (2008), Black Hawk Down (2001) and Saving Private Ryan (1998) – if there’s room for another alien invasion with a war element flick this will appease but if you feel you’ve seen it all before it’s probably because you have.
Overall, formulaic but still mildly entertaining.
V: The Complete Second Season [Blu-ray]“V” (2009-2011)
Before Alien Nation, before Independence Day, there was V. A race of human looking extraterrestrials arrive on earth. These ‘vistors’ led by alien Anna come in peace, however, behind her smile is a sinister plan to take over the world.
The latest ‘reimagining’ of V is a competent rework of the original 80’s TV show. Despite some ropey CGI effects, the story, characters and script carry some weight, there are shades of grey, not everything is black and white… Unorthodox alliances, double crossings, morale choices and sacrifice are just some of the themes amongst a cloak and dagger alien invasion. There is action, drama and of course it’s played possibly as realistic as you can get considering it a show about lizard aliens.
Jane Badler the original female protagonist appears in season 2 as ‘Diana’ which is a nice nod for fans of the predecessor albeit as a different character with the same name. And also Marc Singer gives a cameo. Notable are actors Scott Wolf and Laura Vandervoort. Worth mentioning is Anna’s right hand man played by Morena Baccarin and tough guy Kyle Hobbes played by Charles Mesure.
Evil executives at ABC have cancelled the series after season/series 2 which is a crying shame as there were plenty of places V could have been taken with the right story writers and good characters already established such as FBI agent Erica Evans, played by Elizabeth Mitchell and Joel Gretsch as Father Jack Landry.
It’s said that it ends on a cliff hanger but that depends on who’s side your on, there is one winner, if no more are made… Worth seeing, I’ll now finish this sentence as abruptly as ABC’s cancellation.
MonstersMonsters (2010)
For six years large aliens have been on earth and inhabit the ‘infected zone’ between the US and Mexico border. After a monster destroys a hotel the daughter of an executive is injured and under instruction from his boss a photographer must ensure she gets back to the US. However, after a series of events it becomes more difficult than expected and they both must journey through the infected zone.
Début leads Whitney Able and Scoot McNairy are impeccably first-rate and would put any A-lister to shame. Any lesser casting could have ruined the film but the realistic portrayal they deliver, packed with emotion is easy to relate to, it’s surprising how they command the screen and keep you enthralled. The rest of the uncredited cast are exceptional and everything is played for realism. Note worthy is the ticket selling desk clerk.
The dreamlike score is fantastic, Jon Hopkins’ beats and hums capture and heighten the moments – it’s very memorable, reminiscent of John Murphy’s 28 weeks later subtler moments.
Credit must go to director/writer Gareth Edwards for the fantastic subtle script, great locations and fantastically executed effects. Whether intentional or not there’s plenty of social commentary, political values and society reflective parallels going on but those aside Monsters is a journey of two people finding themselves.
At first I was expecting another War of the Worlds rehash, District 9, a grounded version of ID4, or even a better version of Skyline but what I got was a journey story with aliens as the back drop. If only Jurassic Park could have been filmed in this style. Monsters took me by surprise, I didn’t expect it to be such a wonderful film.
Gareth Edwards is certainly a multi-talented individual and not one to watch – as he’s already there. Immersible cinema.
SkylineSkyline (2010)
Stop me if you heard this before. Aliens invade earth and a handful of survivors try to escape their impending deaths. It’s another War of the Worlds-esque invasion flick and what’s nice about this is that it’s played straight with no comedic one-liners and there’s not a teenager in sight.
Directors Colin Strause and Greg Strause are no strangers to special effects after bringing to life the Predators and Aliens in AVPR (2007) and the rest of the team behind Skyline’s extraterrestrials are clearly talented making the best out of a budget. It’s visually wonderful, the special effects are fantastic. Nevertheless, Aliens (1986) designers and suit wearers Alec Gillis and Tom Woodruff Jr. creature designs appear to be an unoriginal mix of The Fly, Independence Day, Cloverfield and The Matrix.
The acting is above average and the leads including Eric Balour and Brittany Daniel carry the emotion well. David Zayas is notable but his screen time is limited. That said, the script lacks enough meaty dialogue to keep you enthralled and you find yourself waiting for more glimpses and shenanigans of the alien invaders.
Overall, it looks great but it fails to connect and grip you. The Brothers Strause will hit gold but Skyline just isn’t it.
They Live Poster Movie 11x17 Roddy Piper Keith David Meg Foster George "Buck" FlowerThey Live (1988)
Humanlike, skeleton looking, extraterrestrial’s have taken over the Earth and walk among us, but are cloaked by a transmitter that makes ‘them’ appear like us. A drifter discovers a pair of sunglasses that allows him to see what is being hidden.
Halloween’s (1978) horror legend writer/director John Carpenter does his best with a limited budget. The film for the most part has an urban realistic look, due to the on location shots, however, at times it appears very cheap and lacks the production values of The Thing (1982) or The Fog (1980). In true Carpenter tradition there’s a heart pumping and relentless score.
Amongst all the 80’s cheese there is a fantastic story based on Ray Nelson’s short story. They Live themes reflects consumerism, class and corruption to name a few. Underneath, Carpenter’s bland screenplay lay a fear that we are not in control and our society is led by ‘them’, echoing Invasion of the Body Snatchers and ‘V’. To join them would be to give I and we would benefit but we’ll pay a greater price. They Live is high concept sci-fi with great ideas, the sunglasses touch is genius, that’s original and allows some great visuals and interesting moments. There’s also the intriguing secret society aspect and space travel.
Suffering from the 80’s macho testerone Roddy Piper is entertaining as the lead but he’s no great actor, lucky there’s the likes of Meg Foster and Keith David to gives the film some weight and there are some good performances from the supporting cast.
Carpenter though a simple story immerses the viewer in the conspiracy and connects us with the heroes search for the truth which has a fantastic, un-Hollywood brave and downbeat ending. In addition, the effects are of the time but are still effective, there are some stand out set-ups, the supermarket, the underground segment and the discovery of the sunglasses. I’m hesitant to use the word, but They Live is cool.
With so many remakes in recent years They Live would benefit from a serious and heavier version. That said, taken at face value it’s a great fun ride, with one-liners, action and aliens.
The InvasionThe Invasion (2007)
An alien lifeform crashes to Earth, spreading tainted debris this in turn infects people bringing them under the invaders control.
Remake of remakes and based on Jack Finney novel, thankfully The Invasion borrows more from Invasion of the Body Snatchers (1978) and as a plus doesn’t try to recreate its daring chilling ending, coming up with its own penultimate finish.
The supporting cast are great and include ’78’s Veronica Cartwright. It is a fine cast ensemble that reunites Jeffrey Wright and Daniel Craig in two effective roles as they help Carol Bennell played by Nicole Kidman find her son and stop a virus that is turning humans into ‘perfect’ emotionless shells of themselves.
Already off to a head start, based on such excellent source material director Oliver Hirschbiegel brings David Kajganich interesting screenplay to life. It’s subtle at times but injects plenty of foot and car chases. The on location shooting sells the tension as you see the city’s people change. Make up effect are fantastic and not too overboard. The good use of lighting, camera angels backed up with a nail biting score helps to heightening the paranoia as everyone Bennell knows becomes one of ‘them.’
Kidman’s endless supply of unnecessary fitted clothing and botox aside, she gives a good performance and despite some surprisingly already dated effects shots of microscopic virus the film is well crafted.
Overall, if not compared to its predecessors, The Invasion ticks all the boxes as a retelling of a character driven, sharp, thrilling sci-fi.
John Carpenter's The Thing - Movie Poster (Size: 24" x 36")The Thing (1982)
After being freed from its ancient crash site an extraterrestrial life form infiltrates an Antarctic research station, imitating taking the appearance of the researchers that it kills.
An atmospheric understated sci-fi at it best. I’ll never understand how Carpenter lost the lustre in some of the other film he made, nevertheless, his Thing is one of his best movies and also once of the best sci-fi movies ever. Despite being based on the same source material (before remakes were popular) the thing has a look and feel of it’s own and is very different from its 50’s counterpart.
The isolated setting, the astounding cinematography and scenery creates intrigue; drawing you in from the very beginning. It’s a perfect horror/sci-fi cocktail of Ennio Morricone’s haunting foreboding score, Rob Bottin and Stan Winston’s benchmark practical effects (which are to-date arguably unsurpassed) Carpenters claustrophobic set ups and Bill Lancaster screenplay.
It’s rare that every single actor is exceptional and supplied with effective dialogue. All the cast from Kurt Russell to Wilford Brimley as Blair are all captivating, great casting by Anita Dann. The characters have their own issues and as the paranoia sets in relationships are forged and other broken, building to a bold and satisfying conclusion.
This is more than just a cult film with a ‘monster’ hiding in warm places surrounded by snow, it’s a finely tuned science fiction horror masterpiece.

Lolita 1962 Comedy Drama Movie 24x36 POSTER

Trailers date back as early as 1913 and were popularised in the 60’s by Hollywood teasers on TV. One front runner (and it comes as no surprise) was trend-setter Stanley Kubrick with his montage trailers including Lolita and 2001: A Space Odyssey.

2001: A Space Odyssey Poster Movie C 11x17 Keir Dullea Gary Lockwood William Sylvester Dan Richter

To think trailers were usually showed in cinema after the credits, it’s easy to see why this didn’t last long. The thing is these days we know too much before we even sit on our seats in the cinema or insert that shiny disc. With barrage of TV spots, teaser-trailers, official trailers, video diaries, Internet snoops, blog posts and sites more often than not we know the in’s and out a year before it’s gets to the big screen. As oppose to once upon a time not so long ago when we’d have to wait over a year for a film to hit Video, or two years for cable and maybe forever for it to reach terrestrial TV if ever.
I recently watched the first episode of the second series (season) of ‘V’ and in the final moments an incarnation of one of TV’s best villains appears… Jane Badler’s character Diana. (Now I may have just spoilt it for someone!) see what I mean. Now if I had read it or caught a whiff on the net, it would have ruined for for me. The same reason as I thought it neat when Charlie Sheen cameos in Wall Street 2, Sean Connery appearing at the end of Robin Hood and Ed Norton being in Kingdom of Heaven.  The problem is this, these publications can give a lot away, all just it takes is a photo or a sentence.  The same can be said for magazines featuring soaps and show’s etc. As Grandpa said in The Lost Boys,”…Read the T.V. Guide, you don’t need a T.V.” Never a truer word spoken.


The ‘industry’ ‘leaks’ things left right and centre, the the amount money spent on consumer research is nobody’s business and is also why we get sheep-like droves of films that have no substance because they are designed like fast-food with no substance but to temporarily appease the masses. I like a cheeky burger as much as the next but at least some-like to put flare into their public communications, even to have some kind of morale, if not clever creative ways to draw us in while not unmasking the whole film. The film Cloverfield showed very little, it’s advertisements tantalising and mysterious. Notably, Spider-Man’s trailer had an entire action sequence, Terminator 2: Judgment Day’s trailer featured an elaborate special effects scene both especially constructed and were never intended to appear in the theatrical release.

Terminator 2: Judgment Day Poster Movie B 11x17 Arnold Schwarzenegger Linda Hamilton Edward Furlong

Maybe it should be made compulsory that only title cards and a 5 second clip are only shown but no doubt some bring spark will let the cat of of the bag. ‘Kevin Spacey is Keyser Söze.’ or ‘There is no Tyler Durden, The Narrator is one and the the same.’
On writing this I can understand Steven Spielburg reluctancy to record director commentaries, but it’s a case now of give the people what they want and I suppose the bottom line is you don’t have to listen the commentaries or watch the making of supplements, if you want to retain that movie magic. Personally I love a great making of, I remember a double video set of Total Recall with a 20 minute making of feature, I though it was the bee-knees. Little did I know in the future we’d have a thing called DVD and Blu-ray.

Al Pacino

Possibly due to the internet and media hunger today’s Hollywood stars are too accessible and are endanger of loosing their mystic, their allure with endless appearances, twitter and the like. Even a frank biography can destroy a hero. One of the worst things I did was read an authorised biography of Al Pacino. It was my own fault, I wont say why but my preconceived ideas were smashed. But on the flip side ‘Lucky Man: A Memoir by Michael J. Fox’ solidified him for me.
The internet is killing off quality publications, the excitement of waiting a month has gone. Why pay a subscription eh or 4.99, just turn on the TV, PC, or smart phone. As Darth Vader would say, “All too easy”.
Monsters Special Edition + Digital Copy [Blu-ray]Like anything else as consumers we want it instantly and in the process we are in danger of destroying what we love. Yes it’s great to have a build up an anticipation, but in our hunger for more we’re distorting that excitement and surprise and are possibly short changing ourselves when you pay money for a ticket to be entertained. And that is why you and I are feeling let down by almost ever film we see. Most recently I caught Monsters expecting another War of the Worlds rehash, District 9, a grounded version of ID4, or even a better version of Skyline but what I got was a love story with aliens as the back drop. For a spilt second I was slightly disappointed and then I came to my senses and felt a little emotion and thought, I quite enjoyed that. Call it unintentional misdirection, a lack of research and/or avoiding marketing for the film, it was something that I didn’t expect.
There’s a reason I just browse over the back sleeve, don’t pay too my attention to trailers or turn off the TV before the teaser to the next episode…. It’s because I like surprises.