Posts Tagged ‘Haunting’

Housebound POSTER Contains New Zealand horror comedy spoilers.

A troubled young woman, attempts to steal the safe from an ATM, confined to her house she finds out that there may be more to her mother claims that their house is haunted.
What’s starts out as seemingly haunted house flick turns into something totally different, reminiscent of The People Under the stairs mixed with Ghost Adventures. Those comparisons are probably not giving director Gerard Johnston ‘s film the credit it deserves. As while it borrows other genre elements it turns them on its head like the low budget Undead (2003) or Severance (2006) it becomes something quite original. It’s a tightly constructed black comedy horror with some genuine laugh out loud moments and jump scares.

Bloody and creepy in places this part mystery story set mostly in one house it’s a boy who cried wolf tale in some respects, or girl in this case, as no one believes Kylie’s claims apart from a security contractor, Amos.

Morgana O’Reilly is exceptional as Kylie Bucknell, the rebellious ASBO teen who has been tagged and confined to her home after a botched robbery. The small cast ensemble are outstanding with Cameron Rhodes channelling a mix of Jim Broadbent and Randy Quaid. Rima Te Wiata as Kylie’s mum Miriam is particularly notable.

Praise should also be given to Johnston’s writing as Morgana’s character Kylie doesn’t scare easily and isn’t a victim, this with a few story tweaks puts a breath of fresh air into the often stale haunted-house/slasher genre.

20120115-004600.jpgTwo employees try to unravel the The Yankee Pedlar Inn’s haunted past but they begin to witness disturbing events.

Opening with an assortment of spooky photo’s accompanied by a creepy score from Jeff Grace, director Ti West sets the atmosphere for The Innkeepers from the get go. Anyone familiar with West’s smouldering and finely filmed House of the Devil will know he likes to take time to build up the characters with a final pay off. Innkeepers is no exception. That said, it is pacer than the aforementioned with a few cheap scares up front courteous of a PC YouTube like video.

The acting is first rate, very naturalist with lead Sara Paxton on form as intelligent dropout Claire. Paxton is very watchable delivering a good performance thanks to an equally good script. There’s logic in the screenplay as far as if you were in a hotel and interested in the paranormal you’d do the same – set up an investigation.

There is a small cast of quirky characters including 80’s star Kelly Mcgillis who seems to be having a revival now in horror after featuring in Stake Land. There’s a psychic, an odd old man, obligatory ghost bride and cellar. There’s ominous corridors, creaky doors, piano cues and great sound design which add to its creep factor. There’s plenty of jump scares and red-herrings.

E.V.Ps, web cams in amongst the realistic sets gives credibly and suck you into Claire’s and Luke’s (Pat Healy) investigation plight. It’s an old-school horror with the music and sound playing a big part, much of the suspense comes from what you don’t see. But West’s visuals of what you do see are extremely haunting. It’s a homage of sorts that refreshingly leaves you with some unanswered questions and loose ends.

Debatably you can argue it builds to little more than a series of scares, yet, it’s more consistent and less glossy than recent horror Insidious, furthermore grounded than 1408 and far-more finely executed with its wonderful sets, camera work and narrative than the Paranormal Activities.

Yes – it’s a essentially a haunted house flick, but what a chilling, hair raising and perfectly constructed haunted inn film it is.

The beauty of black and white photography aside, today’s black and white motion film is usually used as a nostalgic gimmick, with exceptions of the likes of Tim Burton’s Ed Wood (1994). Apart from the obvious monster classics of the 30’s and 40’s there are countless black white (b/w) films regarded as ‘classic’. Purists and b/w  fans would probably have me locked up and flogged but I must admit I really do not think b/w adds to the aesthetics of a film. I would argue that the feel and atmosphere can stir the same emotions in colour pallet. To sum it up in a sentence, we don’t see life through our eyes in black and white.
 
Nevertheless many great films were made in black and white and some of those were very influential horrors which I’ve commented on below. I hope you enjoy and possibly seek out if you not seen them already…
 
 
House on Haunted Hill (1959)

Allegedly rousing Alfred Hitchcock to make the horror film – Psycho (1960), and while the setting is not as lavish as The Haunting (1963) the House on Haunted Hill is an entertaining 50’s movie.


Eccentric millionaire Fredrick Loren played wonderfully by Vincent Price invites 5 people to the house on Haunted Hill for a “haunted House” party and they’ll get $10,000 if they survive the night. The quirky house owner, Mr. Pritchard is played entertainingly by Elisha Cook Jr. and the rest of the cast are good enough.

Vincent Price is without a doubt the best thing about the film oozing charm, wit and panache. What is interesting and worthy of note is Robb White’s writing of the adultery plot that build the tension and interaction between Price and Ohmart. They are reminiscent intensified versions of the characters in Hitchcock’s Dial M for Murder (1954).

While the stories ‘twist’ is well developed the large modern 50’s house story is not. There are some creepy moments that include the striking Carol Ohmart as Annabelle Loren but the lighting and sets are so crisp it fails to create any real brooding atmosphere and sadly a movie of its time, the women shriek a lot.

Should the house itself has been more traditional this may have been a near on perfect black and white chiller. Still, it’s good fun and worth checking out on a quiet dark night if even just to hear Price’s deep tones.
 


The Haunting (1963/I)

Dr. Markway is undertaking research to prove the existence of ghosts and decides to investigate Hill House. He is accompanied by a sceptic, a clairvoyant and an insecure attuned psychic. Even though made in 1963 it is still very enjoyable even if a product of its time.

Nelson Gidding screenplay is based on novel “The Haunting of Hill House” by Shirley Jackson. The Haunting is an archetype haunted mansion film, superbly directed by Robert Wise. Excellent, painstakingly designed sets, amazing use of sound effects bringing to life the things that go bump in the night, which all add to the eerie and spooky atmosphere.

Richard Johnson plays the perfect English gentleman, Dr. John Markway. Russ Tamblyn as the cheeky chap is amusing, Claire Bloom as ‘Theo’ the lesbian, at the time a risky role for mainstream cinema. The supporting cast of quirky characters are all fantastic.

My only complaints are is that the movie, for effect only, was unnecessary filmed in black and white. In addition, Julie Harris’ superfluous voice-overs are distracting.

It’s exceedingly atmospheric, foreboding, creepy and while the scares and terror are not as frightening to today’s audience, it remains a classic, psychological, genuine and suspenseful horror.


Night of the Living Dead (1968)

George A. Romero has readily admitted that Herk Harvey’s Carnival of Souls influenced in his making of Night Of The Living Dead (NOTLD). For me, they’re both low budget, both filmed in black and white and both are chilling creepy in places.

Both went onto be get ‘lost’ but unlike Carnival of Souls, NOTLD was haled by critics abroad, who saw it not just as another horror movie, but a film that reflects society. Romero has gone on to define a genre, a feat that very few have accomplished. Many films have been influenced and have imitated George’s creation but few successfully.

NOLD is seeped in history and has become as intriguing as the chiller its self. There’s really not too much to comment on that hasn’t already been said before. The dead are played mindlessly well. Duane Jones is a fantastic lead actor and stands out, an actor ahead of his time but the others are less convincing.

The stock music is bold, and the sound is an adequate mix but all these things with their faults add to the charm of this little horror classic.

It’s dark, gloomy and entertaining but more importantly it was a turning point in horror history.


Carnival of Souls (1962)

A true horror classic Director Herk Harvey and writer John Clifford both waived their earnings in order to get the film made. Upon release in 1962 the film was a failure in the box office, thankfully its subsequent airings on late night television helped to gain it a strong cult following so Clifford and Herks work was not all in vain.
The delightful Candace Hilligoss is perfectly cast as the troubled woman that after surviving a traumatic car accident, that kills her two friends, becomes haunted by a frightening ghoul and drawn to a mysterious abandoned carnival. It’s a shame that Hilligoss only acted in two features as she gives an impressive performance as Mary Henry.

The music is very creepy and a little too intrusive in places, however, for it’s time and budget it is a well crafted film. Carnival of Souls many not be as sleek and stylish as the Haunting (1963) but it is far more eerie. The zombies are not as imposing as in Night of the Living Dead, however, they are vastly creepier and macabre.
Oozing atmosphere it’s a creative and unnerving film that concludes with a common place twist but back in ’62 it was ahead of it’s time, a true cult classic.
 

The Last Man on Earth (1964)

The tag-line read ‘By night they leave their graves, crawling, shambling, through empty streets, whimpering, pleading, begging for his blood’ if that doesn’t grab you as a horror fan, nothing will. Remade many times since as The Omega Man (1971), I am Legend (2007) to name a few, Richard Matheson novel I am Legend has been a wealthy piece of source material.


Despite Matheson feeling that Vincent Price was miscast in the lead role, Price gives a sterling performance as Dr. Robert Morgan who is the survivor of a devastating world-wide plague. Morgan is tortured by his dreams and his solitary existence trying to find another human still alive. Price’s distinguished voice and acting really gets the viewer hooked and caring for his character who is harassed by vampire zombies seeking his blood every night.

While not a faithful version of the novel it is well crafted by Ubaldo Ragona, who incidentally only directed a handful of films. Ragona’s work clearly influenced Romero’s set up of the horror classic Night of the living Dead (1968).

Admittedly The Last Man on Earth is slow in places and the music by Paul Sawtell and Bert Shefter is bland and of it’s time. Nevertheless, the locations are great featuring, bleak backdrops and curious architecture which leaves the viewer disconcerted.

What this unsung black and white chiller gem demonstrates best is that The Last Man on Earth shows what a fascinating and captivating actor Vincent Price was.