Posts Tagged ‘film making’

You can now join the team, become a producer or just share The Longest Night film. One crime, one woman, one reckoning.
Whether you’d like to become part of the team or just keep updated with it’s production progress and release. Help ensure its completion and distribution spread the word and make some noise about this project, so by passing this link onto others through Twitter, Facebook, StumbleUpon, word of mouth and good old-fashioned email you will be doing us a big favour.

Visit Indiegogo imdb, or http://www.breathingdead.co.cc for more information.

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Juggling both my writing and filmmaking is not easy. When Darkest Moons goes to print will end my sub-genre horror books. My zombie, vampires and Werewolf and their subtle connecting thread will be complete for readers to enjoy. But who really cares? I wonder who reads these posts, I wonder who reads my books. Many people know the writer but not the work – it’s an odd situation.

I don’t intend on revisiting sub-horrors, although I have received some tantalising offers. I’m pleased with the interest and success of both Blood Hunger and Dead Pulse and I hope that Darkest Moons will have the same reception.

So what is next?

Thinking… Filming for me has a whole different set of challenges and gives different types of reward. Revamped was a little gem, Terminus has had a great reaction amongst the art house fans with its style and themes.

Darkest Moons –Taylor’s Plight pre-pro involved with creature effects and some basic funding is taking longer than expected. Despite having a lead actress cast, script and much of the pre-pro done if things don’t move forward it may be shelved. Which will be a shame. Its hard doing it on your own, especially in this climate it takes a lot of energy and time. You do meet people that offer their assistance but you also meet many that are all talk. You all encounter people with the best intentions in the world but for one reason or another cant commit. Unless you’re big budget it’s hard. A lot indie filmmakers just want to make their story, I need someone who is keen want to make my stories but their with vision. For me story is paramount, while I have vivid ideas of how something can look or can be made I’m not
overprotective of the source material (that’s the producer in me) so long as the story’s essence remains.

So I’ll await the release of Darkest Moons. Then I’ll be free to weigh up the options, more ghost writing, completion of my sci-fi novel, continue the series, film Taylor’s Plight, resurrect my development hell film Riverside Hotel to name a few or just procrastinate, my, my I hate that word along with viral and visceral.

Whatever you’re doing believe in yourself and just keep plugging. Please leave a comment or like my page because in cyberspace no one can hear you scream it can be a lonely thankless place.

My best A. M.

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Well the start of 2011 has been very blog lite!
Basically after one illness after another (boo, hoo get that man a hanky). I’ve done very little. That isn’t to say I haven’t done anything.
TerminusSo where are we? Sean P. Parson’s Terminus is doing modestly well in the USA video on demand market. Alternative pet project The Breathing Show gains momentum. Independent films Terminus, Bear Scary and Revamped have been entered into several 2011 film festivals, their screening fate yet to be decided.
Bear ScaryThat said, it’s less about making money and moving onto the bigger projects, it’s about art, creativity, myself, my collected collaborators and the viewers experience.
A person once said to me, “I’ll speak to you when your famous.” My answer was direct, “I don’t think so, I can’t measure fame, only success.” It’s a fickle and superficial world, I feel almost unspoiled living a corner of the world that is farthest from, but also out of the buzz, and pulse of where it’s all happening it has it’s pros and cons.
Anyone that knows me, will tell you I’m a self confessed film addict, music lover and horror fan. My first website was dubbed the ‘quirky to turkey’ film reviews. I regularly write reviews on IMDB. Not to practice writing, (although some may say need it) but because a hour and a half or so of my life has past me by as the credits roll and I’d like to have something good or bad to show for it.
The Ten Commandments (Limited Edition Gift Set) (DVD/Blu-ray Combo)I simply adore motion pictures, and the work and effort that goes into them. A short stay in Elstree studios solidified this for me. From B-films to blockbusters, I love them. The more atmospheric the better but it cant be any old pap. It has to have flare, a je ne sais quoi.
The Crazies > In broad terms everything is about the money, the pound, the dollar it is a big business indie or not. As much as I like some remakes, I can help but feel it’s creatively lazy, that said remakes have been around for a long-time, nearly a long as film itself, one and not the first as early as 1904, The Great Train Robbery. But for me the best remakes are the ones that go back to the origin, the conception and/or original source material, if its based on a book etc. or take the essence of the original and turn it into something new, yet it does not necessarily have to be something better, just something as special.For example, Invasion of the Body Snatchers; The Ten Commandments; Dawn of the Dead; Fistful of Dollars, Little Shop of Horrors;The Crazies to name a few.
Lawrence of Arabia
I wont comment on the flurry and mixed production values of Japanese horror remakes, I leave alone the film that are remade in less than two years of release because most don’t want to read subtitles. I won’t mention the bad ones, ultimately everyone has their own opinions and taste. But the soulless ones can be sniffed out and found in a bargain bucket somewhere. And I feel the same about sequels, no one wants a rehash of the first, but it pains me when a sequel disregards the ideas of the predecessor or changes the concept into an uber version, just for the sake of showing us something new. We vested time in the characters we want to see them continuing in ‘that’ world, or develop further. I don’t wanna see them become something they are not.
Star Wars Darth Vader Collector's (Supreme) Edition Adult Halloween Costume (X-Large)
Don’t stick a jetpack on Darth Vader or put Lawrence of Arabia in a BMW. The extreme I know but you understand what I mean right?
I digress, while I have been poorly it’s given me a chance to reflect on my work, I find it hard to juggle my writing with my film work. And like my love of films the same can be said for writing, James Herbert did for my writing what Elstree did for my film calling. They go hand in hand but are very different beasts. I’ve recently have been commissioned to write a book based on a true crime, I can’t say too much but it’s a horrific, brutal and violent contemporary story. I also have Dead Pulse coming out later this year, a zombie tale. If truth be told I’m nervous and reluctant for it’s release, don’t get me wrong I have confidence in the story but the market has been saturated, and sometimes ideas seem to be in the air and comparisons can easily be drawn. Nevertheless, Dead Pulse is what it is, a zombie story many years in the making and I hope it will be enjoyed by it’s intended hardcore audience.
Blood Hunger is out there available to the public and critics, it seems to have been well received. I was asked in a radio interview how do you feel about critics, if truth be known no one likes negative criticism, especially when it’s clear they haven’t even read or seen your film. That aside I laugh at these bull shitters who say it doesnt bother them, I agree though, some constructive criticism is healthy, it helps you improve but if you’re a newbie filmmaker and or a writer and you’d like some advice on the subject don’t put yourself out there if you can’t take the flak. And certainly don’t rush something out if it’s not ready.
Blood HungerWell that was rumour control, those were the facts, this is A. M. signing off until the next time…
“One thing is for sure you’ll never get to the centre of the Labyrinth.” Fiction, don’t you love it? Against all odds to out thwart some kind of evil. Well that’s where Blood Hunger the film is right now. Stuck in the pages of a novel, dying to get out and see the light of day onto celluloid or digital film.
From the outset, Blood Hunger may never happen but while I’m still here blogging, writing books and making films, there’s a chance. And like any film project it’s slim but workable. Nevertheless, even with the greatest writers on board or with he greatest actors interested to play the parts, it still doesn’t mean it’ll be made.
With all film making it’s about finance, and even if you have it, and a great producer, without distribution, no one will get to see it.
I’ll keep you up dated. So while I’m working on the above it’s safe to say it’s in development, in the meantime here is the trailer to the book (below) which features clips the spin off film Terminus and the Blood Hunger photo shoot.
Enjoy…
Blood Hunger Trailer
Read Dread Central’s write up of Blood Hunger here
Exclusive to the USA, download the Terminus film here

On a weekend in 2010 I was lucky enough to watch David Paul Baker’s Mission X, being a fan of camera point of view films (POV) when they are done right in cases like Rec, Cloverfield, Dairy of the Dead and low budgeter The Zombie Diaries it was a surprise treat. It’s easy to see why Usual Suspects Kevin Pollak is quoted as saying “…this film will not disappoint.”
With exciting news that Mission X is in development to be re-made I’ve put together my thoughts and comments on filmmaker Bakers indie POV movie.
But it doesn’t  end there, director writer David Paul Baker has just shot his horror  film SCREEN in the Tulsa USA. What’s it about? 70 people died in front of the screen in the 70’s, with the 40th anniversary of the deaths nothing can stop Lola Carrie from attending and watching the Screen. Head over to the official site watch the trailer, share with friends and support 2012s most innovative driven-in horror film.
MISSION X (2010)
Scottish mercenary veteran Ryan goes on a revenge mission with a group of guns for hire and a student camera-man on tow.

Arms dealers, bad language and shoot outs, are just the playing cards Mission X first lays on the table. It’s the hand that slowly dealt by director/writer David Paul Baker that makes this film stand heads and shoulders above a flurry of camera point of view (POV) films.
The editing is sharp, bringing together footage from different cameras POV, flash forwards and flash backs. There’s a minimal soundtrack music, first-rate blood effects, a great script and characters. With fitting camera work, near on perfect acting; played authentically, not just by the leads but the supporting cast too, that puts the likes of Quarantine (2008) and the interview segments of The Fourth Kind (2009) to shame.

Bond with the characters as you follow them with Ryan and camera man Grant, who’s verbal sparring on serious and every day issues are exceptional. Mission X is a joy to watch, from abandoned buildings, to night clubs and the streets of Scotland, it’s edgy, tense, harsh, hard and confrontational. Secret meetings, anonymous phone calls.
The screenplay is absorbing to the last reel. In between the shots ringing out; get to know the unit; get caught in the gun fire; it’s the closest thing to a possible suicide mission on your homeland you can see on film.
Mission X oozes tension, it’s a naturalist piece of filming that drags in and captivates the viewer from the outset, which makes it compelling viewing.
A smart cleverly crafted must see.
Order Mission X here
For more information about Mission X visit the website


MISSION X TRAILER from david baker on Vimeo.