Screamers: The Hunting (2009) Review

Posted: May 22, 2020 in FILM REVIEWS/COMMENTS
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Spoilers!

A rescue team from Earth are against the clock and must save humans on Sirius 6B from the robot Screamers before the planet is wiped out by a class 10 solar meteor strike.

None of the original cast return in director Sheldon Wilson’s offering, we are told that Peter Weller’s grumpy, in search of love, Joseph A. Hendricksson committed suicided on reentry to Earth, presumably in a tussle with the killer teddy bear screamer left on the spaceship.

The visual effects are surprisingly effective with some convincing composites and some impressive practical effects. There’s more gore, chopped of limbs, torsos, heads split open, impalement, a fist punched through a body and a head. The sets and production design are great but it’s has a direct to DVD look (especially in the first half) and lacks the filmatic feel that its low budget predecessor managed to achieve.

As the contingent of soldiers get picked off one by one, we’re introduced to some annoying feral people better placed in Mad Max. We find out that Victoria Bronte is Hendricksson’s daughter giving fans some much needed connection to the first. Arguably this could have been revealed much earlier on. Lance Henriksen turns up briefly as Orsow injecting some weight into the shenanigans. Both actors Gina Holden and Stephen Amell are notable.

Unfortunately, the Miguel Tejada-Flores (who also co-wrote the original) script lacks execution, it can be clunky in its delivery and at times lacks logic. What Tejada-Flores and Wilson do well is expand and attempt to build on the Screamer mythology. That said, sometimes less is more.

Amongst the explosions, shootings and blood the pacey sci-fi setups are more or less recycled from the first film. It lacks Philip K. Dick‘s philosophical questions, paranoia and sense of desolation that its predecessor attempted to touch on.

It’s a passable sci-fi B-movie, if somewhat cliched especially in the Alien/Terminator-like closing act. In fact, as DTV film and sequel, to Wilson’s credit, it’s probably one of the best of its kind.

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