As a fan of Hammer horror, with a few of their many films being a spiritual inspiration for my book Blood Hunger, Hammer sent me a brad new copy and I thought it rude not to say a few words on the iconic studios latest offering Wake Wood...

Blood Hunger

Following the unnecessary, yet excellent remake Let me in Hammer returns with Wake Wood a supernatural chiller in which a child is brought back from the dead to comfort her parents for three days. But she’s not quite the angelic child she was.

Eva Birthistle plays the grieving mother Louise and Twelve Rounds (2009) bad guy Adian Gillen is exceptional as the deceased child’s father. Reliable Timothy Spall and the child actress are notable and the supporting cast are solid.
There’s some effective bloody gore, grizzly births, severed spines, dog attacks and killings. Some supernatural elements take place out of shot to avoid the use of CGI, which adds to the believability and saves the budget.

Wake Wood is dark, damp and dreary just as it should be. Nevertheless, it is slightly stifled by a filmed for TV look. That aside, with a small budget director David Keating keeps the blood flowing and the pace going. And it benefits in plausibility and atmosphere with an on location shoot. There’s plenty of shadows, eerie music, sharp editing and a grounded screen-play (by Brendan McCarthy) to keep you watching with a grin that Hammer may have a place in this century.

Wake Wood [Blu-ray]

With elements of Don’t Look Now, Case 39, Carrie, The Wicker Man and Pet Cemetery to name a few you could argue it’s all be done before and better. However, Wake Wood’s great ending debatably leaves you thinking sometimes less is more.
Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s